It's About Living by Mike Corthell: 2014-12-28

The Language of the Grand Architect

The creation myths of many traditions describe the universe as the work of a Grand Architect who uses “sacred geometry” to unfold the dimensions of a beautiful cosmos, wisely designing every aspect of it, and governing by just proportions evidenced in the geometric shapes and processes of nature.

The language of God is mathematical language of numbers, proportions and (sacred) geometry.

“As Above, So Below” – these words circulate throughout occult and magical circles, and they come from Hermetic texts. The concept was first laid out in The Emerald Tablet of Hermes Trismegistus, in the words “That which is Below corresponds to that which is Above, and that which is Above, corresponds to that which is Below, to accomplish the miracles of the One Thing”

The entire Universe (including our solar system, as well as atoms, DNA and life-forms) reveals the secrets of balance, rhythm, proportion and unity in diversity, the fractal interconnection of parts with each other and the whole. This harmony is expressed by some “key” numbers

3:6:9

“If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.”
- Nikola Tesla

Perhaps Tesla had in mind another thing altogether. It basically boiled down to energy/field/consciousness, which equates in to electricity/magnetism/consciousness, that made up Trinity. Energy is your divine spark, and field is the area you exist within. The 2 things that allow consciousness to isolate itself is electricity and magnetism. NOTHING in the physical universe exists outside energy and field…only then can you have consciousness reside inside a material existence.

Perhaps these numbers were intentionally expressed by the pyramids of Giza…? There are 9 pyramids on the Giza plateau: 3 large pyramids and 6 small “satellite” pyramids. Also, the design of the Second (Khafre) Pyramid of Giza is based on ratio 9:6.

Marko Rodin and God’s Particle

Marko Rodin has indeed discovered natures secret about 3,6, and 9.
“We have to cast out all 9’s.” What does that mean? It means that any number that is above the value 9 or one place value is going to be added together to get a single digit.

So this means if we have a number 26, we add 2+6 to get 8, which is its “archetype”. If we do this for all numbers while doubling and halving, we get a pattern.

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''...in each Triangle of Perfection, one is three and three are one, so man is one, though of a double nature; and he attains the purposes of his being only when the two natures that are in him are in just equilibrium; and his life is a success only when it too is a harmony, and beautiful, like the great Harmonies of God and the Universe. Such, my Brother, is the TRUE WORD of a Master Mason; such the true ROYAL SECRET...''

- Albert Pike, Morals and Dogma (SUBLIME PRINCE OF THE ROYAL SECRET)

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The secret to the Universe is DOUBLING and HALVING.
Let’s double the number 1 and found out what pattern we get.

1 1
2 2
4 4
8 8
16 7 (1+6=7)
32 5 (3+2=5)
64 1 (6+4=10, 1+0=1)
128 2 (1+2+8=11, 1+1=2)
256 4 (2+5+6=13, 1+3=4)
512 8 (5+1+2=8)
1024 7 (1+0+2+4=7)
2048 5 (2+0=4+8=14, 1+4=5)

Actually, every 6 sets repeats into infinity in this way.
You can also do the same by halving, or dividing the 1 into many parts.
Anyway.. there is more, like how 3, 6, and 9 are never present amongst other numbers in the double scheme.

3
6
12 (1+2=3)
24 (2+4=6)
48 (4+8=12, 1+2=3)
96 (9+6=15, 1+5=6)

3 and 6’s are constantly oscillating back and forth between each other in the doubling and halving scheme.

Now let’s double 9.

9
18 (1+8=9)
27 (2+7=9)
36 (3+6=9)
45 (4+5=9)
54 etc. starts over backwards here.
63
72
81
90
99

So 9 is the unchanging, unwavering number that never really loses its true identity, even though it is undergoing a constant state changing.
Watch Marko Rodins videos on YouTube and just try to understand what he’s saying. Basically he’s found the math to the real “God Particle” or particle of Spirit, known as Brahman in the Vedas, and he has shown how it can be observed, but not with physical instruments.